THE LOVERS AND THE KILLERS
I am watching a convicted murderer on television,
I am looking for signs in his haggard face
as to why one man kills another.
I stare at my own face in the mirror and believe
I can find the departure points where a man goes off to love.
The milky eye is a giveaway, and surely the trembling lip.
In the interview, his voice is flat and bland,
as he goes over the bloody details like a shopping list.
Interview me lover, you’ll hear my giddy, bouncy truth.
He was in the way so I shot him, the guy finally confesses.
It makes me shudder. What if you were in the way so I loved you?
They gave him forty years. What if they’d given him our forty years?
BULLETIN FROM THE FRONT
A scribbled line just overwhelmed all rifle fire.
An artist in a sunless loft keeps deflating war.
Three notes from a cello and an arms supplier
rumbles, crumbles, tumbles.
Even the barest threads of a short story
are coming for the knife fight in the vacant lot,
the march where cops lay into protesters.
A good read feeds the starving.
Theater opens prison doors.
Movies disarm soldiers.
Free verse strangles the last dictator.
Politicians live in fear of sonatas, portraits,
sonnets, guitar solos and ballerinas.
That’s the latest bulletin from the art world.
The rest of the news would follow
if there was any.
Life flares in spurts
along the length of the highway –
stray peasants beating bony dogs,
lone adobe houses
guarding poor farms,
missions and their solitary bells.
But the faces are cut for survival,
are pasted together with
earth and spit and hot wind
The land is about time,
Even centuries are spurious
to the sparse rock field
that stretches like a ballerina’s leg
between the Pacific Ocean
and the Gulf of California.
And now it’s something else.
My assault on its primitive beauty
as I scorch the Jeep
through the longest stretches
of straight, flat asphalt.
The engine hisses like
a startled snake.
Burning fuel is sucked up
by the searing sun.
I speed on through arid landscape,
faster, even faster.
The stillness will catch me yet.
Profile: John Grey